Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Some audience feedback arriving at Jack Warner's office condemned the film for its sordid story, while just as many others were favorable. Hitchcock insists on perfection. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security — going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government.
Ormonde hunkered down with Hitchcock's associate producer Barbara Keon—disparagingly called "Hitchcock's factotum" by Chandler  —and Alma Reville , Hitchcock's wife. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. In Raymond Chandler's second draft script — which Hitchcock ceremoniously dropped into the wastebasket while daintily holding his nose — the final shot is Guy Haines, institutionalized, bound in a straitjacket. Moritz, for a 25th anniversary European excursion. Together the three women, working under the boss's guidance and late into most nights,  finished enough of the script in time to send the company east. Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. Hitchcock insists on perfection. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his lates output,  and he threw himself into the micromanagement of some of its production. Some people are better off dead. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook , who wove a homoerotic subtext only hinted at in the novel into the story and softened Bruno from a coarse alcoholic into a dapper, charming mama's boy — a much more Hitchcockian villain. In Hitchcock's cameo he carries a double bass. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,  where they get thrown out of multiple colleges for drinking and gambling. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. Some audience feedback arriving at Jack Warner's office condemned the film for its sordid story, while just as many others were favorable. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. The unusual angle was a more complex proposition than it seems. The rest was complete by early November. And the chocolate ice cream is probably what he thought about first. Grinning balefully on the horse behind them, Bruno then sings it himself, making it his motto. Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,  and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"  in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. One could study it forever. There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. The only sadistic part was I never got the hundred dollars. First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";  the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;  even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things.
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Swingers (2002) - Full Movie (Dutch with English subtitles)
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