And it annoys the pig

My mantra is, "Open. Norma remained my teacher, friend and advisor until she passed away before her time. Having to sing on command, however, is not cool. There needs to be an adjustment the pronunciation to accommodate the singing. She also taught me the quality of patience, and finding the right semantics that make sense to the student. Delicate young ladies need to accept the fact that they will soon have backs the size of a linebacker's if they are going to breath correctly. You cannot teach someone to honestly feel and communicate -- it is either there or it isn't. My specialty through my career has been "trouser roles" -- male parts sung by a woman.

And it annoys the pig


As English-speakers our love of expression with our lower mandible can be problematic. Psychology comes into play when teaching. I had to learn everything the hard way and as a result I realize, through my own teaching, that she gave me quite a gift. Most of us would not dream of approaching someone like that yet most people think we singers can just open our mouths any old time and let it rip. Delicate young ladies need to accept the fact that they will soon have backs the size of a linebacker's if they are going to breath correctly. You give a performance that feels vocally right on, and no one says a thing. We cannot really enjoy the sound of our instruments. The fine tuning is a life-long endeavor. Other times you feel like you sang like crap and will get all sorts of compliments. There needs to be an adjustment the pronunciation to accommodate the singing. I will continue her legacy. I was very fortunate to meet my voice teacher Norma Newton after I finished my masters degree as I was, until that point, just getting by on raw talent and no technique. At a certain point I needed to explain to my loving and supportive parents that my time at home with them was my downtime and not performance time. The days when everything is clicking are rarely on performance days. It is more akin to when all roles in Shakespeare were played by men. The other day one of my students at Rice University told me that her instrumental colleagues do not understand what singers do in voice lessons. I am a woman, playing a man playing a woman. After mastering the above, something will change, we will grow, have a child, battle illness, and that will affect our voice. The work consists of fine-tuning. I never imagined that I would be a teacher but here I am balancing both teaching and performing for the past twelve years. The important thing is to keep trying for the optimum result and not get complacent. I actually sang a few notes for one officer at Kennedy Airport who did not believe that the sweat-shirted and blue-jeaned vision standing before him was an opera singer. Not unlike a camera lens, the slightest adjustment will change the focus. The restaurant falls silent and I can then say, "Oh, waiter Alas, Murphy's law applies. It is hard to sing when upset, so when a student has tears welling up the lesson turns into a of therapeutic session.

And it annoys the pig

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Annoying People Who Deserve To Be Evicted From Our Planet





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5 thoughts on “And it annoys the pig”

  1. One learns to go with what they've got that evening and just control what they can. If one is a control freak I advise another profession.

  2. If we did we would be holding it inside rather than letting it out. It is a waste of time and annoys the pig.

  3. Norma remained my teacher, friend and advisor until she passed away before her time. Memorization is a necessary evil.

  4. As English-speakers our love of expression with our lower mandible can be problematic. Some professional singers liken vocal production to golf.

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