The London and period flavour is strong, but more in spirit than topographical description - mention of a common and some pub names is about as specific as the scene-setting gets. London locations centre around the Strand and Covent Garden, and the alleys and pubs reek nicely. Early on there's an odd recurrence of horse memories, or metaphors, and a common-ground pub emerges. A pair with normal appendages have been adopted by an elderly author who is almost certainly their grandfather and who uses them as inspiration for some tales; and in them an obsession with mermaids leads to a visit to Cremorne Gardens to see the 'real' thing. She turns a mean plot, and writes much much better than we have any right to expect. Simon Blumenfeld Jew boy A somewhat confrontational title which, according to Ken Worpole in his comprehensive introduction here, still ruffles sensitive feathers. In doing so she takes on some shady aristocratic clients, and learns rather too much about 'special' books and their readers, and more than she'd ever imagined about herself. Meepers's major obsession is whether the post-Roman period of London's history is really as dark as it's painted.
He effortlessly evokes place and character in a way that makes you feel immersed in the one and feel for the other. And Perry's habit of reminding us of so many things we'd read in the previous book. Dodger, a tosher working the sewers, is obvious. Charlotte soon wimps out of this and the dirty work passes to one of Pitt's ex-colleagues and the family's maid. The temptation to think of Pratchett as the Dickens of our time is there, but I still think of him as more of a modern P. So more of the gothic and the Victorian than the bog-standard cyberpunk action, but vivid and involving, to be sure. It promises to be the first in a series and I eagerly await the further adventures of this very winning duo. Bits of Battersea and the posher streets of Chelsea feature too. This isn't as gothic as an Ackroyd, or as dense as a Sinclair, but it's pleasingly dark in places, with the past painted in all it's grubby grimness, but with a balancing element of humanity and warmth you'd expect from a book written by a woman, if you'll pardon my stereotyping. I found the grip loosening a bit towards the end, what with the somewhat unsurprising twist given that our hero doesn't know who his parents were. Steampunk novels aren't always set in London, just mostly. But there's enough that's new and surprising here to keep them pages turning, not least the overall book-centric theme. There are also characters given names from Dickens and an unreliable narrator, so we're talking literary pretensions too. Lee Jackson London dust The author is the man behind www. I just think that I'd best leave a little space of time before I read the next one. There's much walking and travelling in London as the day unfolds and there's much telling and odd detail. The politics and plotting can seem a little dated and naive ly hopeful , but this is still engaging and readable, with much evocative period detailing and attitudes. The plot features zombie revenants who are plague victims that now live on human flesh and a spate of murders committed by a glowing blue policeman. This is all very visceral and Japanese anime-inspired, and makes this a book not for the squeamish. Genevieve Cogman The Invisible Library The narrative here revolves around the existence of an all-powerful multi-dimensional central Library whose shadowy Librarians travel between worlds and realities to acquire books that are dangerous or different. Terry Pratchett Dodger There was always more than a faint whiff of medieval London about Ankh Morpork, the central city of Discworld, so it's no big leap years? The plot begins predictably enough with Watson returning damaged from Afghanistan and meeting Holmes, bodies being found in Whitechapel, and opium dens in Limehouse getting visited. She becomes enamoured of the freedoms, though, and a man called Jonathan, who lives in the house she lived in. On a personal note I was pleased when the action moved to Tooting - my manor - and Wimbledon up the road. Down is the direction dealt with here, with the central character, Meepers, obsessed with the bones beneath our feet and the stories they tell.
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