Saw them play once in London and they were every bit as good as i thought they would be. All 12 tracks are fully imbibed with the spirit of the two London bands that have inspired them the most- The Pogues and The Clash. Looking back it was nowhere near as punk as I thought it was at the time but The Men are still rocking out and recently celebrated their 30th anniversary with a grand sell-out big London gig. Well The Pogues could. Big thanx to all who sent in stuff for review and also to our wee gang of reviewers and contributors. Probably more celtic-rock than punk they gig relentlessly across London and have a massive and loyal fan base. Aggressive celtic-punk but plenty of emphasis on traditional instruments too.
Plenty more on the blog including a review of their last LP here and a interview with Jay, the lead singer, here. Definitely one of the early pioneers of the celtic-punk scene. Who then could find pride in those roots when it was something we ought to be ashamed of? To say they blew me away is a understatement and my love affair with them only got worse on hearing this album. At the BorW gig I made a great friend without whom I doubt the whole London Celtic Punks thing would even exist and the following day at Flatfoot 56 i had my first date with the lady that was to become my future wife! Probably more celtic-rock than punk they gig relentlessly across London and have a massive and loyal fan base. Fuck all people in a tiny wee cellar venue but great sound and those that were there were a enthusiastic lot. Freed from the confines of The Pogues Shane could let his pen do the talking. Hardly surprising when the rest of the nation was stacked up against them and to be Irish meant to be either a bomber or be thick or an alkie or feckless or violent or many other number of racist epitaphs. Full on Irish folk played with the spirit of punk that captured the imagination of untold numbers of punk rock kids across the globe. The gig itself was outstanding. He calls it the Pogues fifth album. To put it simply the amount of Irish born people in Britain was massive but few of their offspring felt in anyway Irish. Dark themes abound on this all the way through and the vocals and music really capture the emotions of the lyrics. Big thanx to all who sent in stuff for review and also to our wee gang of reviewers and contributors. The song titles were all known to me and mostly Dubliners songs. This years new album from Blood Or Whiskey was reviewed on the blog earlier in the year, read it here. So off I trot and I find it and its got a lovely celtic design on the front and a even lovelier Irish tricolour on the back. Saw them play once in London and they were every bit as good as i thought they would be. My mams heard them and thinks there awful racket! She had an old record player encased in a big massive cabinet about 5 foot long. This knocked the flaming socks off me when I first heard it and its still doing it now. The last year has flown by and, even better, feedback for the site seems to have been universally good. Australian celtic-punk bands rule the planet and The Rumjacks rule Australian celtic-punk…that should tell you all you need to know. The bands mix of celtic-Irish-Americana and Chicago folklore plus solid working class roots and politics really hit the spot with me.
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Cutthroat Shamrock - 02 - Dry Bones
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