Despite their apparently cheerful existence, he bursts into her apartment one night to find that she has lapsed into a coma that may have been caused by an overdose, or merely by life on what the press material tells us are the mean streets of Vancouver's Downtown East Side. Cody continues walking never meeting Art. Think of the much remade Heaven Can Wait formula - dying man returns to life in another man's body; romantic complications ensue - and you'll get the picture. Movie Info A small-time Vancouver drug dealer traverses through time in a desperate bid to alter the grim fate of his comatose girlfriend in this bittersweet time travel fantasy from first-time director David Ray. None of his frequent trips to the past get Cody out of the downtown East side or out of her coma. Art has the idea that he can go back into Cody's life to resolve her issues: The nurses console him saying that her troubles started a long time ago.
Movie Info A small-time Vancouver drug dealer traverses through time in a desperate bid to alter the grim fate of his comatose girlfriend in this bittersweet time travel fantasy from first-time director David Ray. Think of the much remade Heaven Can Wait formula - dying man returns to life in another man's body; romantic complications ensue - and you'll get the picture. Art takes a bus out of the downtown East side. Art loves Cody so much that he realizes the only way to truly give her the life she deserves it to ensure that he never meets her when she arrives to the downtown East side to give the needle drugs in the first place. Despite their apparently cheerful existence, he bursts into her apartment one night to find that she has lapsed into a coma that may have been caused by an overdose, or merely by life on what the press material tells us are the mean streets of Vancouver's Downtown East Side. Turns out he can't really change the present - Cody's comatose body still lies stubbornly on that hospital bed -whether he fiddles with her deep-seated past or merely more recent coincidences. The city is unrecognizable; these streets might as well be anywhere. Cody is in a coma with other internal injuries - her kidneys are failing. Some-time drug dealer and user Art a far too winsome Jay Baruchel dressed in an implausibly pristine sweatshirt is deeply in love with some-time hooker and heroine addict Cody played by an equally milk-fed Sarah Lind who, for her part, radiates inexplicable joy. The scenes where he is supposed to take responsibility for having sold her the drugs in the first place are morally weightless; Baruchel has created far too charming a character for an audience to lay Cody's problems at his door. Art goes to her funeral which is put on by her parents. The social worker assigned to the case believes Cody's injuries and ailments stem from her living on the street even though she had a nice apartment. It takes Art three very amusing attempts before he finally gets a recalcitrant young Cody to accept a box of tampons from a total stranger. Art is late for dinner and thinks Cody started the 'party' without him - there is open needle drug parafanial. Cody eventually dies from her injuries. But that glimpse soon evaporates because, of course, Art has to learn lessons about accepting consequences or accepting death or something. She makes some worrying reference to her brother and bingo, Art is back on the day when the boy blew out his brains in his parents' suburban back yard. Art has the idea that he can go back into Cody's life to resolve her issues: Story continues below advertisement Story continues below advertisement For a moment here - as Art's second stab at fixing this bit of history delays the brother's suicide by a whole minute before a flying piece of brain lands at our hero's feet - there is a glimpse of a very funny black comedy that could somehow encompass the Downtown Eastside and the time machine. Cody continues walking never meeting Art. Sure enough, the chair allows Art to travel back in time to the day things first went wrong for Cody, when the bullies at her all-girls-school teased her about the blood stain on her white shorts. Immediately dismissing his friend's outlandish claim but desperate to fulfill his promise that he will always be there to protect her, Art collapses in the chair and wishes himself back to the time before Cody became addicted to drugs. Ray just appears to be hunting about for a theme here; the final third of the script feels like an afterthought in a film that cannot bring any plausibility to its gritty setting nor its characters' plight because it began with an inherently sentimental plot device. None of his frequent trips to the past get Cody out of the downtown East side or out of her coma. Art Jay Baruchel is a petty drug slinger whose relationship with girlfriend and addict Cody Sarah Lind is starting to get serious.
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Fetching Cody 2005 Deutsch Ganzer Film
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