All of the connective tissue, all of that stuff is fun and is going to be very important if you want it to be. Subsequently, they talked "to the directors and writers of the other Phase 3 movies on an almost weekly basis, to make sure everything lines up right. These lookbooks are not always shown to directors, though, with Marvel sometimes preferring to let the director offer their own ideas first. It's connected in the way that the shows come from the same place, that they are real, that they are grounded. This meant that by the time they were hired they had already "figured the movie out". The Winter Soldier, Joe and Anthony Russo met with the studio four times over two months before they were hired, during which they "kept getting more and more specific about what our vision was", putting together "reference videos, storyboards, script pages, you name it. And I think why Marvel has been so successful is because it's been such a clear plan, that everything is interconnected and they're building emotional capital with each movie that you can then trade off of in the next film. Things were not set
Ragnarok could be with prospective filmmakers, who then went away and developed what they thought the film should be from that. Just like comic readers have been doing for decades and decades We have to earn that. The Avengers wouldn't work here but the about-to-be-Avengers works here. As long as we're surprising people, as long as we're not falling into things becoming too similar Derrickson and Waititi were both eventually hired for the films. You just have to have done something singularly sort of awesome,"  adding "It's worked out well for us when we've taken people [such as Jon Favreau , Joss Whedon , Kenneth Branagh , and the Russo brothers ,] that have done very, very good things. The Winter Soldier, Joe and Anthony Russo met with the studio four times over two months before they were hired, during which they "kept getting more and more specific about what our vision was", putting together "reference videos, storyboards, script pages, you name it. The notion of having all 13 episodes at one time, particularly in serialized storytelling, is very appealing. Occasionally there could be some writing. Or at least not for a very, very long time. It's easier for [the shows]. In contrast, Marvel shared several different ideas for what Thor: Knowing what we wanted to do with Edgar and with Ant-Man, going years and years back, helped to dictate what we did with the roster for Avengers the first time. He added that, if the characters prove popular, they could become feature films. It's a weird sort of tapestry of writers and directors working together to create this universe that's sort of organic. The schedules do not always quite match up to make that possible. The Dark World, he said it is "certainly something to aim for. But then you kind of reach an apex or you reach a climax, a moment where you go, 'This structure is really going to start to be repetitious if we do this again, so what do we do now? And I think why Marvel has been so successful is because it's been such a clear plan, that everything is interconnected and they're building emotional capital with each movie that you can then trade off of in the next film. In November , Universal Pictures announced that it would distribute The Incredible Hulk ,  in an arrangement separate from Marvel's deal with Paramount, which was distributing Marvel's other films. Again, not because there's a number cruncher telling us to go to three, do more than two pictures a year, but because of the very reason just laid out: It's just a different part of New York that we have not yet seen in the Marvel movies. To me, and to all of Marvel Studios, that's what keeps it going. But that doesn't necessarily mean that we would look up in the sky and see [Iron Man]. They're more nimble and faster and produce things quicker than we do, which is one of the main reasons you see the repercussions of Winter Soldier or [ Avengers: We'd rather find a way to keep that going.
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