I consider that to be the greatest accomplishment of my life. I couldn't see having the series without her. You were raised mostly in the South. I had heard about San Francisco from people in Charleston, South Carolina, where I lived, but I was still too afraid of my instincts to actively pursue it. With "The Days of Anna Madrigal," the ninth book in his "Tales of the City" series, Maupin has written his last novel starring the motley cast of characters from 28 Barbary Lane. Somehow, she's removed enough to be a source of wisdom for my own life. I'm not sure your readers would characterize you as unambitious. For the young men in your latest book growing up gay and transgender in Nevada, San Francisco is a dream world of liberation and freedom.
I think it's up to us as individuals to find that ourselves and carry through with it. I feel I have found that through my life and my work in California, and I would be kind of disturbed if I wasn't upsetting someone out there in our Calvinist country. Burning Man was a treasure trove of the phantasmagorical. Mary Ann is a bit more practical and self-serving than some of the other characters, and I'm sure that's part of me. Their repressive natures are universal the world over. As soon as I hit town, I realized that the straight people were far more comfortable with my homosexuality than I was. With "The Days of Anna Madrigal," the ninth book in his "Tales of the City" series, Maupin has written his last novel starring the motley cast of characters from 28 Barbary Lane. What has it been like to end up so far away from that part of American culture and furthermore to have your work vilified by the Religious Right? In a telephone interview last week, Maupin talked about the ways in which "Tales" has drawn on his own life experience and his pride in the way his books have touched so many. I'm not sure your readers would characterize you as unambitious. I consider myself a raving humanist, and I think that you can construct a moral and compassionate life without the assistance of an imaginary god. It didn't take long, I should say. I had heard about San Francisco from people in Charleston, South Carolina, where I lived, but I was still too afraid of my instincts to actively pursue it. My husband dragged me along kicking and screaming the first time, and then I found myself getting into it. There is nothing more gratifying than knowing that. I wanted to create an entity that had its own dignity and logic. I am not at all distressed by the fact that there are people in my family who don't understand why I would fight so hard for marriage equality because that tells me they don't understand the nature of love itself. I was more concerned about honoring the characters than staying with them forever. Fundamentalism in my mind is the greatest evil in the world today, regardless of the religion attached to it. So when I was young and randy, I wrote about being young and randy, and when I was middle-aged and feeling domestic urges, I wrote about that. His lack of ambition mirrors my own. Tue, Jan 27, , Madrigal talks about "biological" and "logical" families, meaning the ones that will truly nurture and support us. Tell me about your experiences there. There's a lot of aging, illness and death in "The Days of Anna Madrigal. I have so many people come up to me and say that my books -- my simple, uncomplicated, funny little books -- have changed their lives.
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