Another of Boccaccio's frequent techniques was to make already existing tales more complex. Each of the ten characters is charged as King or Queen of the company for one of the ten days in turn. Although he consulted only French, Italian and Latin sources, some of the tales have their origin in such far-off lands as India, Persia, Spain, and other places. Please improve it by verifying the claims made and adding inline citations. The frame narrative structure though not the characters or plot originates from the Panchatantra , which was written in Sanskrit before AD and came to Boccaccio through a chain of translations that includes Old Persian , Arabic , Hebrew , and Latin. The Italian names of the seven women, in the same most likely significant order as given in the text, are Pampinea, Fiammetta, Filomena, Emilia, Lauretta, Neifile, and Elissa. The commercial and urban values of quick wit, sophistication, and intelligence are treasured, while the vices of stupidity and dullness are cured, or punished. In VII, 1, for example, he claims to have heard the tale from an old woman who heard it as a child. In the Italian version, the host's wife in addition to the two young male visitors occupy all three beds and she also creates an explanation of the happenings of the evening.
In the Italian version, the host's wife in addition to the two young male visitors occupy all three beds and she also creates an explanation of the happenings of the evening. The information on pre translations is compiled from the G. McWilliam's introduction to his own translation. These frame tale interludes frequently include transcriptions of Italian folk songs. The Italian names of the seven women, in the same most likely significant order as given in the text, are Pampinea, Fiammetta, Filomena, Emilia, Lauretta, Neifile, and Elissa. Within the tales of The Decameron, the principal characters are usually developed through their dialogue and actions, so that by the end of the story they seem real and their actions logical given their context. The basic plots of the stories include mocking the lust and greed of the clergy; tensions in Italian society between the new wealthy commercial class and noble families; and the perils and adventures of traveling merchants. This was part of a wider historical trend in the aftermath of the Black Death which saw widespread discontent with the church. Throughout runs the common medieval theme of Lady Fortune , and how quickly one can rise and fall through the external influences of the " Wheel of Fortune ". Lauretta, one of the narrators of the Decameron, painted by Jules Joseph Lefebvre Throughout the Decameron the mercantile ethic prevails and predominates. Only Dioneo, who usually tells the tenth tale each day, has the right to tell a tale on any topic he wishes, due to his wit. This charge extends to choosing the theme of the stories for that day, and all but two days have topics assigned: The table below lists all attempts at a complete English translation of the book. Both elements are Boccaccio's invention and make for a more complex version than either Chaucer's version or the French source a fabliau by Jean de Boves. Still other fictional characters are based on real people, such as the Madonna Fiordaliso from tale II, 5, who is derived from a Madonna Flora who lived in the red light district of Naples. Although he consulted only French, Italian and Latin sources, some of the tales have their origin in such far-off lands as India, Persia, Spain, and other places. The Roman Catholic Church , priests, and religious belief become the satirical source of comedy throughout. Boccaccio borrowed the plots of almost all his stories just as later writers borrowed from him. Analysis[ edit ] This article possibly contains original research. Some scholars have suggested that some of the tales for which there is no prior source may still not have been invented by Boccaccio, but may have been circulating in the local oral tradition, with Boccaccio simply the first person known to have recorded them. A clear example of this is in tale IX, 6, which was also used by Chaucer in his " The Reeve's Tale ", which more closely follows the original French source than does Boccaccio's version. Scholars have even been able to verify the existence of less famous characters, such as the tricksters Bruno and Buffalmacco and their victim Calandrino. Each of the ten characters is charged as King or Queen of the company for one of the ten days in turn. Boccaccio himself says that he heard some of the tales orally. The men, in order, are Panfilo, Filostrato, and Dioneo.
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